Win Tickets to Skrillex's Sold Out Show at Quartyard

Winner has been announced here!

Voyeur San Diego LED presents Skrillex

Will The Real Skrillex Please Stand Up?

 

We've got one PAIR of tickets for Skrillex's SOLD OUT

show at Quartyard to give away to our lucky fans!

  1. Download the LED presents Mobile App
  2. Take a photo with one of the Skrillex Photocards
  3. Post the photo on Instagram and/or Twitter
  4. Hashtag #OhYouMeanSonny?

Every entry counts!

* Profile must remain public until the contest ends *

MijaSkrillex RezzSkrillex

The lucky winner will be selected by Saturday 9/5. Good luck!

Laidback Luke Interview

Laidback Luke House of Blues San Diego

Lucas Cornelis van Scheppingen, better known to some simply as Laidback Luke, has been a driving force in dance music for the better part of the last decade. Born in Manila and raised in The Netherlands, Luke has made a name for himself with his quality productions and energetic DJ sets. Having remixed the likes of dance music pioneers Green Velvet, Daft Punk, and Underworld, he has grown to become a pioneer himself. While juggling title as label boss at Mixmash, throwing notorious Super You&Me parties across the globe, and curating a weekly radio show, he also manages to fit Kung Fu into his schedule.

We caught up with Luke as his Musically Driven bus tour begins to get the skinny on the artwork behind his label, upcoming projects, and where you can find him on his days off (rare as they are). You've got two chances to watch his skills behind the decks this week as he makes his way to House of Blues and Voyeur this Thursday, for an 18+ and 21+ show, respectively.
 1. You launched your "Super You&Me" parties in Amsterdam several years ago, which are now being held around the globe. You've even hosted Super You&Me stages at festivals such as EDC and Tomorrowland. How have the parties evolved since the first? Where would you like to throw a Super You&Me party that you haven't yet?
I'm very happy it latched on! I feel the crowd and even the DJs are getting the fun of it now. This was hard to get across at first, as I was the only one dressing up for instance.
We changed the name and style of it a couple of times too. My dream for it has always been to host festival arenas and I'm so happy we got there successfully! I think the only place next is on the moon ha ha.
2. You've openly discussed the tendency for some DJs to lose their sense of humility when reaching a certain point in their careers. In an industry that has shifted to treat DJs somewhat like rockstars, how does one maintain their sense of humility?
Don't believe your own hype. You're a human, we are all humans. You are just a very lucky one. And don't take it for granted! As it will be taken off of you as easily as it came.
Be thankful and respect every other human being as a human being. We are all equal! Staying humble can only help you, whereas becoming arrogant can cost you your career.
3. Illustrator Olivier Cramm curates the album artwork for the releases on your label, Mixmash. Are the funky, surrealist designs a reflection of the playful nature of your music? Or was that coincidence?
Yes it does! It's very fun most of the time. It has a hint of grafitti in there too, but yet, there's also a reference to some spooky stuff in there as well.
4. Your wife and fellow DJ, Gina Turner, has a well-known love for yoga, while you indulge in a bit of Kung Fu yourself. Does the mindful nature of these practices play a part in how you approach your music, either in the studio or behind the decks?
My Kung Fu is a way of life. It affects me as a human being. And in that sense it affect everything I do in life. Kung Fu means skill achieved through hard work, and I approach my music and career like that.
5. Your touring schedule has pretty much been non-stop the past several years. When you do have the odd day off, where can we find you?
You can find me in the kitchen cooking or practicing my Kung Fu and Tai Chi. I'm like obsessed and love it! But I'm doing this on a very high level now and I'm even a Kung Fu instructor. So I have to keep up my level too.
6. So far this year you've collaborated with Dimitri Vegas & Like Mike, Hardwell, and most recently, Martin Solveig. Your "Musically Driven" bus tour across North America is also just kicking off. What else is in the pipeline for you?
After 'Blow', my collab with Martin Solveig, I have a collab with Project 46 ready to be released. It will be a more big room type song. Currently working on tracks with Ferry Corsten,Will Sparks and Peking Duk as well. A lot of exciting music coming up!

Laidback Luke House of Blues VoyeurGET TICKETS HERE

Digitalism Interview

Digitalism Sound LED presents
Comprised of Jence and Isi, German duo Digitalism formed when two Hamburg natives bonded over their mutual love of vinyl over a decade ago. While indulging fans around the globe with both live and DJ sets over the years, Digitalism has also managed to release two defining albums (Idealism & I Love You Dude), with another EP fresh off the press. The pair has remixed esteemed artists such as Depeche Mode, The Presets, and Cut Copy, released on labels such as OWSLA and Toolroom Records, and even arranged their own compilation for the famed DJ Kicks series last year.
If you're due for some Digitalism action yourself, you can get down with Jence and Isi at Sound Nightclub on September 5th, and then once more at Voyeur in San Diego on September 12th. Read on to find out what role California played in their production, why they spend time in a WWII bunker, and their collaboration experience with The M Machine and Steve Duda while making Lift.
LED: You both met in a record shop, began DJing on vinyl, and referenced your vinyl roots for last year's DJ Kicks compilation- so naturally, you must have an affinity for the wax. Do you still find yourself buying vinyl today? Any particularly special record shops in your hometown of Hamburg?
DIGITALISM: We still buy vinyl sometimes, but not really for DJing. We travel so much that we just cannot carry all that stuff with us. But buying vinyl is a great antidote to the extinction of 'libraries' you have at home… Back then, you could tell a lot about a person by checking out his or her shelves full of books, 12"s and CDs. Nowadays everything is just data on a tiny iPod or something. If we love an album for instance, we do buy it on vinyl to add it to our collection. Also; years ago vinyl was a good source for underground music that you couldn't find anywhere else, but that's changed too, because making a vinyl release costs so much (compared to just a digital release), that only bigger projects get that treatment.
Sometimes we still buy 12"s in the shop that we used to work at in Hamburg, but they've moved and turned into more like a mail-order thing now.
LED: Can you describe Digitalism's very first live set? How has it evolved over the years?
Our first live set was a lot of fun. We took the train down to Strasbourg in France to play a festival. We'd rehearsed for weeks but still didn't really have a clue of what to do. We brought a friend with us to play guitar, and had some samplers, a tambourine and a synth with us. It was rather embarrassing, but we felt like super grown up after we finished the show. We were almost dying before we went on stage, and killed a whole jumbo-sized fridge full of booze.
DIGITALISM: Since then, we kept on developing the show, added more instruments, more crew and more production to it. We never really came back to the same place with the same show. It is a very seasonal thing for us. Also, over the years we wrote more music, so instead of only five songs at that Strasbourg gig in 2005 we now have tons to choose from when we play. All this playing-live has turned us from DJs and  studio producers into something like a 2-man electronic band. You could tell the influence of that on our second album, which was more song-based than the first one.
The last live tour here in the US was again very stripped down and rock'n'roll on the other hand. We wanted to try this out, playing live shows without any fancy production and just very minimal gear that we could take on planes with us. It turned out well! At the end, it's all about the music and the performance we found out. You can bring tons of fancy lights and stage props with you, but if the basics aren't right, it's just a waste of money.
LED: You guys are known for your energetic performances. Do you have any pre-gig rituals?
DIGITALISM: We call it our daily workout. We sit on tour buses and planes a lot, so once we get on stage it's our time to go wild. There's a lot of energy that we have to get rid of. Before the show we might have a cheeky glass of straight liquor, but that's all. One time when we played in Osaka and we had to kill 3 hours in the backstage before the show, we started shooting action movies on our phones with added special FX and all the crew. It got a bit out of hand.
LED: There have been some major changes in electronic music within the States over the past several years. Has the scene in Germany changed much, or has it stayed close to its house and techno roots?
DIGITALISM: It's pretty much stayed true to its roots! Of course new sounds are coming over from the States, but people are very protective of their underground scenes in Germany and Europe in general.
LED: Some of the Digitalism tracks on the DJ Kicks compilation were produced while in California. What does California mean to you?
DIGITALISM: It's become something like a second home-base for us over the last years. We have a lot of friends here, and we always try to come over to avoid the grim, grey European winter. The weather is always great, and there's always someone visiting while you're here too… It's a great place.
LED: Is your primary studio still located in a WWII bunker? Does the isolated atmosphere feed into the creative process?
DIGITALISM: Yeah we still have the bunker studio. It's funny though, because this civilian bunker is right in a pretty bourgois neighbourhood in Hamburg. So you'll have Paris-style boutiques next to it. It's a good place to get creative because there's no distractions. You cannot tell what season or time of the day it is. It's very isolated indeed, which forces you to get creative really. There's nothing in there but whatever you come up with or phantasise.
LED: Your 3-track EP, Lift, was just released exclusively on Beatport and will be available worldwide September 26th. Lift is being released on Kitsuné, the French label which first introduced Digitalism to listeners around the world. From what I understand, this is your first collaboration album. What was it like going from working in the studio solely as a duo to working with different producers?
DIGITALISM: It'll be our 10th year anniversary next year, and yes, so far we've pretty much done everything within our own little bubble. We've learned everything DIY, and we did things our way, because we didn't want to listen to anybody in the first place. Over the time we opened up though, and this year we wanted to try out writing and producing with other people. It was a learning process for us, too. How would you write music together in a studio, when everyone's an electronic producer, and no-one plays any instruments really? No drums, no guitars, nothing. It was an interesting experience! We were lucky to meet and work with all these people -- Steve Duda, The M Machine and Blood Diamonds. It brought more stuff to the table for sure. It's good to mix DNA sometimes, you know.

Interview with R3hab

Notorious for his signature electro house sound and kinship with fellow Dutch producer Afrojack, R3hab has been paving a promising career for himself as a DJ and producer over the past few years. With successful releases on Afrojack's own Wall Recordings and Tiesto's Musical Freedom, he has joined the ranks of DJs adorning the lineups at festivals and clubs around the world. Mastering the art of transforming pop hits into club tracks, he has also fittingly released remixes for artists as diverse as Enrique Iglesias and Usher. 
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We caught up with R3hab to discuss collaborations, connecting with fans, and what he has in store for the rest of 2013. Be sure to catch him this Friday at Voyeur, and tune into his weekly radio show "I Need R3hab" on Sirius XM's Electric Area.
R3hab Voyeur San Diego
LED: You've had the opportunity to remix big names such as J. Lo and Katy Perry. Do you approach pop music differently in the studio?
R3hab: Yes, when remixing big names like this it's important that I try to embrace the vocals and make a version that still has enough of the original left, but can also be played in the club!
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LED: Your career kickstarted when Afrojack signed you to his label and pushed your music. Have you considered starting your own label to release music from up and comers you believe to have potential?
R3hab: Yes, maybe in the future when I feel I have enough time and experience to run a label like I want to!
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LED: From Hardwell to Ferruccio Salvo to Koen Groeneveld, you've worked with a wide array of artists. Who would be your dream collaboration that you have yet to work with? What makes a good pairing in the studio?
R3hab: Calvin Harris, he is a great writer and such an amazing producer! A good studio partner knows how to work together and you have to have patience to work together!
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LED: Social media is a huge tool for artists to promote themselves and their work. You're no stranger to personally interacting with your fans over Facebook and Twitter. Clearly the connection is important to you; how do you think this has affected your relationship with the fans, as well as your career?
R3hab: I get really excited when I have a lot of social media activity before a gig. It is like people cheering before you enter the boxing ring.
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LED: You've played so many gigs across the globe, from here in San Diego to the hometown of your lineage, Morocco. Where would you say you find the best party?
R3hab: It is so hard to say, but I must say California and New York go hard!
R3hab V
LED: You recently performed live in Miami before the Real Madrid vs. Chelsea Championship. How was the show? Did you stay to watch the match?
R3hab: The show was amazing. Once they turned off the lights and people grabbed their mobile phones, it just looked insane. I had goosebumps from head to toe!  I also got to watch the match, which was a good game. Definitely a funny moment had to be when a fan ran on the field and hugged Ronaldo.
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LED: In a previous interview, you mention the importance of the organic progression in a career rather than one that is quick to rise and fall. How has this mindset played a role in the development of R3hab? Is there any advice you would give to those pursuing a similar career?
R3hab: I would just practice and never give up, try to build up fans one by one. You don't get there over night.
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LED: What have been the highlights of 2013 so far for you? What's in store for the rest of the year?
R3hab: Amazing year so far with great festivals and club gigs! A lot of new tracks coming with Steve Aoki, NERVO, Ummet Ozcan and Lucky Date to name a few.
Don’t miss R3HAB at Voyeur this Friday, August 23rd and at Tramps Like Us on Saturday, August 31st!

R3HAB Voyeur LED presents

Win 2 FREE Tickets to see GTA at Voyeur!

GTA Brazzabelle LED presents Voyeur

Want to win 2 FREE tickets to see GTA + Brazzabelle at Voyeur on Thursday, August 16th?

  1. LIKE & SHARE the GTA flier on Facebook
  2. COMMENT on the post why you want 2 FREE tickets to see GTA
  3. TAG the friend you want to bring

Winner will be announced on Wednesday, August 7th.  Good luck!

Share the stage with TJR at Voyeur

tjr cont

Think you have what it takes to share the stage with TJRLED Earmilk Wavo are all teaming up to give one lucky producer a shot at opening for TJR at Voyeur on July 27th! If you have been working hard in the studio and think your productions deserve to be played out in the hottest club in San Diego now is your chance to prove it!

Here's what you have to do to enter:
1. Produce an original track that displays your production skill and distinctive style.
2. Submit your original track to Earmilk's micro-site, HERE.
3. Promote and share the link to the micro-site with all your friends, family and fans - make sure to have them vote!

Contest submissions are due July 15th, the voting period will occur from July 15th to July 22nd, and a winner will be announced July 24th. The winner will be chosen on the basis of popularity and the expert opinions of our LED panel of judges.

CONTEST QUALIFICATIONS:
-Contest open to residents of the USA
-No contestants under the age of 21
-All genres within EDM are welcome for submission
-Transportation will not be provided by LED or Voyeur

tjr flier

KREWELLA - ALIVE (TJR BOOTLEGS)

TJR

LED DJ TJR just dropped two HUGE bootlegs of KREWELLA's smash hit 'Alive.' The first features TJR's signature Melbourne Bounce sound he has become synonymous with while the second emphasizes a killer bass-line sure to take over any club's dance floor. Check out both TJR's Bouncy Version and TJR's Booty Bass Version and catch him in San Diego at Voyeur on July 27th!

LEDtv Interview: Thomas Gold

Check out this LEDtv interview with Thomas Gold recorded right before his set at Voyeur in San Diego!

Kaskade Review

Ten years, ten whole years. If you are reading this, chances are that ten years ago you were still enrolled in some form of school and just beginning your life. While you were experiencing all there was to gain from your formative years, a new beginning was also taking place. Ryan Raddon, more commonly known to the masses as Kaskade, had unknowingly begun what would turn into an illustrious career as a music producer. His debut album ‘It’s You, It’s Me’ was released in the year 2003 and the album went on to do fairly well, making waves overseas and causing a stir stateside as well.

As you well know, this was not the end of the road for Raddon. He has gone on to be one of the most recognizable producers in dance music worldwide. Whether it be winning DJ and producer awards or playing in front of sold out crowds all over the globe, it’s hard to come across someone who hasn’t heard the name Kaskade these days. However, this current tour, aptly titled ‘It’s You It’s Me Redux’ was not about any of this. Taking place in only small clubs where he used to play, this tour was a way to connect with the past and the roots of where he once started. “This was a concept I came up with, wanting to go back to where I was, where the scene was, ten years ago. There will neither be stadiums nor big crowds. It’s going to be intimate. It’s going to be deep.“

After frantically checking my watch for what seemed like forever, the man of the hour finally appeared behind the booth. Once Kaskade’s presence on stage was noticed, it was if time had stopped. The anticipation was finally gone and only a giddy sense of enthrallment could be felt throughout the crowd; a new life had been breathed into the room. Nobody knew exactly what he was going to play, but we knew it was going to be transcendent nonetheless.

After addressing the crowd quickly with his sentiments, Kaskade immediately dove into the music, opening with the title track from his album ‘It’s You, It’s Me’. Instead of the all out frenzy I expected to occur upon hearing the vocals of the track, the crowd kept within the vibe that Kaskade was looking for with this tour. A calmness I had never experienced in this setting had taken over the room and I felt as if I had known everyone in attendance for quite some time. Sticking with his some of his older work, ‘IYIM’ was followed up nicely with ‘Waste Love’ and ‘I’ll Never Dream’, leaving no doubts that his set was going to be deep.

The tone had now been set and the “drowning” effect that Ryan had mentioned when previewing the tour was starting to set in. There was no fist pumping or grinding, no shuffling or yelling, just the crowd vibing along with the deep house atmosphere. Expecting to hear only older stuff from his catalogue, the ‘Llove (Ice Mix)’ caught me a bit off guard but still managed to fit in marvelously within his older tracks.

Having read beforehand that his set would consist of predominantly his own tunes with some other goodies sprinkled within, I was curious as to what other tracks he would possibly play. Assuming it would be older tracks from the early 2000’s he played out in his sets back then, I was bit shocked when the lyrics to ‘Jack’ slowly crept up. It’s not often you see get to experience Kaskade playing out the newest Dirtybird bombshell so I made sure to soak it all in.

At this point I was content with my dance floor experience and was set to head upstairs to get a view of the entire club and embrace the setting I was in. As I turned around to head out of the crowd, I quickly found myself being pulled back in by the Members Only mix of ‘I Can Go For That’. Never in a million years did I picture myself dancing to Hall & Oates in a nightclub setting yet there I was, 2-stepping my heart out and singing along to the lyrics with those around me. If I hadn’t momentarily worn myself out the same instance most likely would have occurred when Mark Knight’sAlright’ was dropped directly after.

After finally heading upstairs and grabbing a good spot on the railing I found myself starting to settle in and absorb what was happening around me. A girl a few spots to my left was decked out in a home made Kaskade gear and was reaching out as if she were about to hug the man himself. After chatting with her for a bit she divulged that she had also been to the Redux stops in Seattle, San Francisco, and Los Angeles as well. She explained to me the crazy trip she had decided to take and all the amazing people she had met on her trek down the coast to experience this once in a lifetime tour. As the lyrics from ‘One Heart’ serenaded the crowd she rapped up her story and left again for the dance floor. I was trying to imagine how lucky (and probably exhausted) this girl was when it started to dawn on me; this wasn’t an ordinary nightclub experience downtown, this was a full on celebration. A celebration of the past, a celebration of what we have experienced, and a celebration of how far we have come. It finally hit me that not only the passion behind the music being played, but the moment that we were in was unattainable almost anywhere else and completely worth a trip up and down the US to have another chance to experience it. The hype behind the tour had now come to fruition and the words Kaskade spoke about his last ten years could now be felt through the music more than ever.

It had been well over 2 hours yet Raddon showed no signs of slowing down. ‘Angel On My Shoulder’, ‘Move For Me’, and ‘Eyes (Deep Mix)’ hit home for everyone in the club and resulted in attendees belting out the lyrics. Never in San Diego have I seen the energy level of a club this high this late into the night. Although the timing wasn’t quite in line, ‘4 AM’ brought back the intimacy to the set and even managed to bring some ladies to tears.

Finally after around 3 hours of Kaskade classics the night eventually started to wind down. Late Night Alumni’s ‘Empty Streets’ was set to be closing track but the crowd wasn’t ready to leave. Chants of ‘One More Song’ rang through the venue and Raddon was much obliged to stay on for one more. After thanking everyone for not only the night but for the last ten years, Kaskade closed with the very fitting ‘I Remember’ and took to signing all sorts of memorabilia that fans had brought out that night.

I must admit that when I first had gotten wind of Kaskade’s plans for a Redux tour I assumed it to be another gimmicky string of shows with an easy chance to cash in for all of those involved. After being able to attend the final stop on the ‘IYIM Redux Tour’ I can honestly say it was anything but a gimmick. Even though it was his last stop, it was clear the passion for his music and his fans was still as present as ever. Those who were there had the pleasure of not only enjoying an iconic night of music, but also a tribute to how this music scene has evolved over the last ten years.

Win FREE VIP ENTRY to see Fehrplay at Voyeur - April 26

 

Fehrplay Voyeur San Diego

 

Want to win FREE VIP ENTRY to see Fehrplay at Voyeur?

1. LIKE & SHARE Voyeur's Facebook status
2. COMMENT with your favorite Fehrplay track on Voyeur's Facebook status

Winners will be notified later today. Good luck!


Win FREE VIP Entry to see Alvin Risk at Voyeur - April 25th

Alvin Risk LED presents Voyeur

Want to win FREE VIP ENTRY to see Alvin Risk at Voyeur in San Diego?

1. LIKE & SHARE LED presents' Facebook status.
2. COMMENT with your favorite Alvin Risk track on LED presents Facebook status

Winners will be notified later today. Good luck!


A-Trak + GTA Review

A-Trak GTA Voyeur my LED USA

 

I arrived inside Voyeur and the crowd was already buzzing with excitement. Chrome Sparks finished up his set with the tasteful remix Disclosure provided for Jessie Ware’s track Running as more guests continued to file into the venue. As the music slowly faded out, cheers started to emanate from the crowd. The time had come and GTA made their way into the booth and were ready to kick things off.

The energy in the room was almost palpable at this point. Attendees crowded the booth to get a prime view of one of Miami’s hottest duos. Sensing the crowds excitement and somewhat rambunctious demeanor, GTA chose to forego opening with one of their own tunes and started their set off with an absolute explosion coming in the form of Rage Against The Machine’s Killing In The Name.

A-Trak GTA Voyeur show

With the crowd now on their side and in an absolute frenzy, GTA had some room to work with in their set. Known for playing (and producing) all different types of genres, the boys continued doing just that with the rest of their time. Moving through hip-hop to trap to moombahton to electro, GTA left no genre untouched throughout their set. Playing tracks from the likes of Kendrick Lamar, Empire of the Sun, Biggie Smalls, and TNGHT, GTA made sure that everyone’s musical tastes were adhered to. As the time drew closer to midnight, the boys snuck in a few more tracks before their time was up. Their own track alongside Henrix and Digital Lab ‘Hit It’ was another crowd favorite and set the tempo perfectly for them to close with 2 Chainz ‘I’m Different’ accompanied with some moobah beats.

After an extremely high energy set from GTA, the man of the night, A-trak took over on the turntables. Donning his standard attire consisting of a leather vest, nice jeans, and brand new Nikes (surprisingly no fedora on this night), Trizzy began his set by putting on display some of his scratching skills. After demonstrating why he is a World Champion DJ, A-trak began with an onslaught of tunes. Blowing through tracks pretty quickly, he was able to keep everyone guessing with what would be coming next.

A-Trak Voyeur San Diego

Having checked my phone at this point, I was delighted to find that it was still only 12:30. A-trak still had a good chunk of time left and I was more than content with dancing for longer.  Slowly the sounds of The Big Bad Wolf crept up and it wasn’t long until the crowd was howling along with the track. Following up with some more Fool’s Gold releases, Tuna Melt sounded better than ever on the rumbling speakers and Kid Sister’s Pro Nails provided a bit of nostalgia for those who remembered the track.

Moving on with some more of his own productions, his remix of Martin Solveig’s The Night Out had the crowd grooving along with his collaboration with Oliver on Disco Nap. Catching everyone by surprise, A-trak mixed into Roscoe Dash and Soulja Boy’s hit All The Way Turnt Up. With a cheeky grin on his face, it was clear A-trak was definitely enjoying himself on stage and having fun with the crowd.

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As his time was winding down, A-trak made sure those in attendance would not forget this night, ending with an all out barrage of huge tunes that were just what the crowd wanted. Starting with his always recognizable Heads Will Roll remix, the entire crowd joined him in belting out the Karen O lyrics along with the music. After a nice run through of The Yeah Yeah Yeah’s, he continued on with Ode to Oi from LED’s own resident TJR. With everyone now bouncing on the dance floor at this point, ending his set with his own remix of Piss Test mixed with Oliver Twizt’s remix of Money Making was the absolute perfect way to close the night out.

 

Be sure to catch A-Trak AND GTA at my Life Every Day USA over Memorial Day weekend at the San Diego Sports Arena!

 my Life Every Day USA

 

Win a 2-DAY TICKET to MY LIFE EVERY DAY USA 2013!

my life every day USA Instagram Contest

How to enter the contest:

LEDtv Interview: Nervo

LED had the opportunity to sit down with Mim & Liv of Nervo before their set at Voyeur in San Diego.  See what they had to say here:

Win a ticket to see Alesso, Morgan Page, Crookers, Borgore, Mat Zo + many more at LED ANNIVERSARY – February 17th

LED Anniversary Brazzabelle Contest

How to enter the contest:

'All Gold Everything' - Trinidad James (MAKJ remix)

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FREE DOWNLOAD: 'All Gold Everything' - Trinidad James (MAKJ remix)

Don't miss MAKJ at Voyeur on Saturday, February 9th!

MakJ at Voyeur San Diego

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WHAT: LED presents: MAKJ
WHEN: Saturday, February 9th, 2013
WHERE: Voyeur | www.voyeursd.com
RSVP: RSVP on LED’s Facebook Event Page

 

LEDtv Interview: NERO

LED had the opportunity to sit down with Dan Stephens of NERO before his set at Voyeur in San Diego.  See what he had to say here:

LEDtv Interview: Jack Beats

LED had the opportunity to sit down with Jack Beats the day after their set at Voyeur in San Diego.  See what they had to say here:

LEDtv Interview: Brodinski

LED had the opportunity to sit down with Brodinski right before his set at Voyeur in San Diego.  See what he had to say here:

LEDtv Interview: Sandro Silva

LED had the opportunity to sit down with Sandro Silva right before his set at Voyeur in San Diego.  See what he had to say here: